Timothy Hutchings
Selected Solo Exhibitions
2014
Bars and Tone, Gallery Rene Mele, NYC
2012
There and Back Again, I-20 Gallery, NYC
2011
The Self-Illuminating City, Allegra LaViola Gallery and the New Museum Bowery Festival, NYC
2010
Timothy Hutchings, University Art Museum, California State University - Long Beach, Long Beach, California
2009
Timothy Hutchings, The Center of Creative Art, St. Louis, Missouri
It’s Only a Hobby, Monmouth University, Gallery 800, Long Branch, New Jersey
2008
Timothy Hutchings, Kunsthalle Wien, Vienna, Austria
The Celestial Spheres, I-20 Gallery, New York, New York
Formal Issues and Not, Sydney College of Art, Sydney, Australia
2007
The World's Largest Wargame Table, I-20 Gallery, New York,New York
Game Theory, Applied and Not, Triton Gallery, Nicosia, Cyprus
Timothy Hutchings, Viennafair, ZONE1, Vienna, Austria
Timothy Hutchings, The Soap Factory, Minneapolis, Minnesota
2006
Object and Non-Object, Karl Drerup Gallery, Plymouth, New Hampshire
The World's Largest Wargame Table, Real Art Ways, Hartford, Connecticut
2005
Sea Fight! The Map Room, Portland, Maine, with Kyle Durrie
2004
The Captain Hates the Sea, I-20 Gallery, New York, New York
A Lark in the Larkin, Loop ’04, Barcelona, Spain
Timothy Hutchings, Project Room, Bodybuilder & Sportsman Gallery, Chicago, Illinois
2003
Arm in Arm in Arm in Arm, I-20 Gallery, New York, New York
2002
Go West, The Bonsack Gallery, St. Louis, Missouri
2001
The Arsenal at Danzig and Other Views, I-20 Gallery, New York, New York
2000
Slapstick, Cranbrook Academy of Art, Bloomfield Hills, Michigan
Selected Group Exhibitions
2014
The Undulations of Something Faintly Familiar, Anat Egby, Los Angeles
Play, Pod Museum, NYC
Show #12, Parlour Bushwick, Brooklyn, New York
Artist’s Books, Sculpture Center, Long Island City, New York
With or Without You, Gallery Rene Mele, NYC
2013
Ahhcade, SFMOMA, San Francisco, California
Ulterior Intersections, Vera & Melchor de Arcenegui, NYC
2012
Big Reality, 319 Scholes, Brooklyn, New York
Bookstore, Drift Station, Lincoln, Nebraska
Collections, FICTILIS, Seattle, Washington
2011
Doomslangers!, Central Utah Art Center, Ephraim, Utah
When My Solution is a Hammer, All My Problems Look Like Nails, den contempory, Los Angeles, California,
curated by Kristi Lippire
LandEscapes, Julie Chae Gallery, Brooklyn, New York
2010
Electromediascope 2010: New Wave Energies Feedback, Nelson-Atkins Museum of Art, Kansas City, Missouri
Doomslangers!, Allegra LaViola Gallery, NYC
From the Backyard, Oxnard College, Oxnard, California
Next Level: Game Spaces Beyond the Screen, Foundation for Art and Creative Technology,
Liverpool, United Kingdom
700IS, Reykjavik Art Museum, and theCenter of Icelandic Art, and the Iceland Academy of the Arts, and others.
2009
Camera/Chimera, Gallery Affero, Newark, New Jersey
Loophole to the Universe, Divus Unit 30, London, United Kingdom
Recess, Crossing Art, Flushing, New York City
Art House Art Garden series, Torrance Art Museum, Torrance, California
Chimera Ximalpa, Arcade Experimental Arts Project, Nicosia, Cyprus and Envoy Gallery, New York City
Single Channels, Tony Wight Gallery, Chicago, Illinois
Best of New York, II, Broadway Gallery, New York
2008
DA2, Contemporary Museum of Art, Salamanca, Spain
Nothing at the End of the Lane, The Soap Factory, Minneapolis, Minnesota
Reverse Angle, Cheekwood Museum of Art, Nashville, Tennessee
locate | navigate - exercises in mapping, Charlotte Street Foundation, Kansas City, Missouri
Trunk Selects, Färgfabriken, Stockholm, Sweden; Rom fur Kunst og Arkitektur, Oslo, Norway;
Sundsvall Kulturmagasin, Sundsvall, Sweden; and Kramfors Cinema, Kramfors, Sweden
Accidental/Coincidental, Newhouse Center for Contemporary Art, New York, New York
Cut the Cord, From Up Here Everything Makes Sense, Okay Mountain, Austin, Texas
2007
25 Years Later..., Art in General, New York, New York
L.I.C., Socrates Sculpture Park, Queens, New York
For Sale, Espacio Liquido, Gijón, Spain
Urban Spaces, Fresno Metropolitan Museum, Fresno, California
Crash, Pause, Rewind, Missoula Art Museum, Missoula, Montana
Range, D.E.N. Contemporary, Los Angeles, California
Video and Photography from Western Bridge, Washington State University Museum of Art, Seattle, Washington
Common Ground, Westchester College Fine Arts Gallery, Westchester, New York
A Century of Collage, Elizabeth Leach Gallery, Portand, Oregon
The Big Nothing - Basekamp, Institute of Contemporary Art, Philadelphia, Pennsylvania
Abrasions, Architecture, and Accident, Southern Illinois University, Carbondale, Illinois and
Studio 27, San Francisco, California
Trunk/The Nordic Video Art Festival, Östersund, Norway
Red Badge of Courage, Newark Arts Council, Newark, New Jersey curated by Omar Lopez-Chahoud
2006
Summer Selections, Art Omi International Sculpture Park, Omi, New York
Sagamore Collection Exhibition, Sagamore Hotel, Basel Miami, Miami, Florida
12th Biennial Print and Drawing Exhibition, National Taiwan Museum of Fine Art, Taichung, Taiwan
VII Salon y Coloquio Internaticional de Arte Digital, Havana, Cuba
Blame it on Rio, White Box, New York, New York
Impure Cinema: Hybrid Works Rupturing Media Boundaries, Studio 27, San Francisco, California
Small Group Format, Truman State University, Kirksville, Missouri
[20mb], MASSart, Austin, Texas
realpARTy, Real Art Ways, Hartford, Connecticut
I Love Exit Art, Exit Art, New York, New York
2005
Baroques and Neo-Baroques: Hell of the Beautiful, Centro de Arte de Salamanca, Salamanca, Spain
Art Video Lounge, Videotheque, Art Basel Miami Beach, Miami, Florida
Crash, Pause, Rewind, Western Bridge, Seattle, Washington
Ars Digital 2004: I Click, Therefore I am, Moscow Biennial, Moscow, Russia,curated by Joulia Strauss
Art in the Age of New Technologies, Armenian Center for Contemporary Experimental Art, Yerevan, Armenia,
curated by Eva Khachatrian
The Kids Have ADD, Wizard Electroland, Brooklyn, New York Curated by Birgit Rathborn
Jianghu 3: An Exhibition of Experimental and Documentary Video Art, Kunming, China
Loop '05, Barcelona, Spain
New Labor; Neutral Capital, Columbia University, New York, New York
2004
Cicle de Video Focus: Desde Los Anos Setenta Hasta El Ano 2002, Museo de Arte Contemporaneo,
Patio Herreriano, Barcelona
Videodrome II, Bates Museum of Art, Lewiston, Maine and the Santa Barbara Contemporary Arts Forum,
Santa Barbara, California
Supersalon, SamSon Projects, Boston
The Iowa Biennial of Contemporary Miniature Prints, University of Iowa and the Soros Gallery,
Stockholm School of Economics, Riga, Latvia
2003
Collection of the Associazione Artissima, Turin, Italy Centro Reina Sofia, Madrid, Spain,
curated by Elena Volpato
Espacios a la Experimentación, El Museo de Arte y Diseño Contemporáneo, San José, Costa Rica
VideoEx, Zurich, Switzerland
Solon y Coloquio Internacional de Arte Digital, Havana, Cuba
The Pretendlings, New Langton Arts, San Francisco, California
Dancing in the Dark, Aljira Center for Contemporary Art, Newark, New Jersey
Not Myself, New Langton Arts, San Francisco, California
Warning/Happenings, a conceptual concert by David T. Little Stretansky Hall,
Susquehanna University, Pennsylvania
2002
Videodrome II, New Museum of Contemporary Art, New York, New York
Seeing by Wireless, Hastings Museum and Gallery, Hastings, United Kingdom
Metropolis Now, Centro Reina Sofia, Madrid, Spain
SUBMERGE, Kunstebunker Forum for Zeitgenossische Kunst, Nurnberg, German,
Curated by Eva Scharrer
Faux Real, Borusan Cultural Center, Istanbul, Turkey
Curated by Elga Wimmer
Cutting Edge, ARCO, Madrid, Spain
For Real, Woodstreet Galleries, Pittsburgh, Pennsylvania
Self-Portraits From the Bill and Ruth True Collection, The Wright Exhibition Space, Portland, Oregon
Ramallah Video Festival, Ramallah, PalestineArt Forum Berlin 2002, Berlin, Germany
Friends and Relatives, Lombard Fried Gallery, New York, New York
Hash Brown Potatoes, Smack Mellon Gallery, Brooklyn, New York
PLAYGROUND, The Standard Projection: 247, The Standard, Los Angeles, California.
Curated by Yvonne Force and Loren Minda
2001
B Hotel, P.S.1/MoMA Contemporary Art Center, Long Island City, New York
Ha Ha Hah, Quotidian Gallery, San Francisco, California
la perruque, OfficeSpace Gallery, San Francisco, California
Another Day on Planet Earth, Dechiara Stewart Galley, New York, New York
Berlin Art Fair, I-20, Berlin, Germany
2000
Greater New York, P.S.1 Contemporary Art Center, Long Island City, New York
Sidelong Glance, Im N iL Gallery, Brooklyn, New York
1999
Persuasion, Lombard-Fried Fine Arts, New York, New York
Keep Fit, Be Happy, Dechiara Stewart Gallery, New York, New York
Parking, May Day Productions, Highbridge Park, New York
Ground Control, Lombard-Freid Fine Art, New York, New York
1998
Some Young New Yorkers, P.S.1 Contemporary Art Center, Long Island City, New York, curated by
Alanna Heiss and Klaus Biesenbach
Dissin’ the Real, Lombard Freid Fine Arts, New York, New York and Galerie Krinzinger, Vienna, Austria
Ground Control, Lombard Freid Fine Arts, New York, New York
Head Stand, Elga Wimmer Gallery, New York, New York
Selected Video, DNA gallery, Provincetown, Massachusetts
Education
MFA Sculpture1998Yale University School of Art
BFA Video Art 1996Kansas City Art Institute
Residencies
2005 Lower Manhattan Cultural Council - Swing Space Program
2002 Aljirah Emerge 2002 Program
The Atlantic Center for the Arts, New Smyrna Beach, Florida
With Dennis Oppenheim
2000 Civatella Ranieri residency program, Italy, Sponsored by William Kentridge and
The Atlantic Center for the Arts, New Smyrna Beach, Florida
1996 Skowhegan School of Painting and Sculpture
Selected Bibliography
Wallace, Mark, “DIY Dungeons”, Wired Magazine, October 2012, p. 23, ill.
Ryzik, Melena, “Heads Yes, Tails No”, The New York Times, July 26 2012, Art & Design section, ill.
Rath, Robert, “Graveyard of the RPGs”, The Escapist Magazine, April 26 2012, website
Gilsdorf, Ethan, “Players Roll the Dice”, The New York Times, January 9 2012, Fine Arts section, ill.
Oliver, Julian, "Space Invaders", Netherlands Media Art Institute, 2010, p. 12-13, ill.
Pond, Greg, "Reverse Angle", catalog, Cheekwood Museum of Art, 2009
Tucker, Arlene, "Timothy Hutchings, Unsung Video", Umelec Magazine, 2009, pg 32-39, ill.
Ganpat, Asha, "Fakes", catalogue, Redsaw Gallery, Newark, New Jersey, 2008, ill.
Bors, Chris, "Timothy Hutchings at Triton Gallery", Arteri, September 2007, 16 - 19, ill.
Boucher, Brian, "Timothy Hutchings", Art in America, pg 209-210, November, 2007, ill.
Fredericksen, Eric, "Crash, Pause, Rewind" catalogue, Missoula Art Museum, 2007, ill
Hofleitner, Johanna, "Kunst-Konjunktur", Die Press, Vienna, front page, April 26, 2007, ill.
Neimack, Elisa, "Corporate Culture", The New York Sun, August 14, 2007
O'Brien, John, "Range", ArtScene, January 2007, pg 42, ill.
Schneider, Kerry, The Arts Administrator's Sketchbook, Chicago: Green Lantern Press, pg 28 - 29, 2007, ill.
Simensky, Peter, Neutral Capital, catalogue, 2007
Smetanka, Andy, "Healing Through Violence", Missoula Independent, Sept 20, 2007
"ViennaFair 07", Herausgeber Publishing, catalogue, pg 220, 2007, ill.
Villarreal, Ignacio, "Video and Photography at Western Bridge", artdaily.org, January 23, 2007
Ackerman, Ruthie, "Low-Tech Art in a High-Tech Era", Hartford Courant, May 22, 2006
Amidon, Catherine, "Timothy Hutchings; A Player's Game" catalogue, Real Art Ways, 2006, ill.
Fitzgerald, Shannon, "Small Group Format" catalogue, Truman State University Art Gallery, 2006, ill.
Hepler, Anna, "Three Collaborations" catalogue, Map Room Gallery, 2006, ill.
Miller, Lauren. "Artists Draw Attention", Truman State University Index, January 26, 2006
Premnath, Rit "Ruin/Monument", Shifter Magazine, pg 85, 86, 92, October 2006
Finch, Charlie. “The Museum Comes to Us: Art in 2050,” Artnet.com, February, 2005 Hackett,
Regina, “Western Bridge’s Crash, Pause, Rewind..”, Oct 21, 2005
Macu, Moran. “Loop ’04 Barcelona,” Artnet.com, January 6, 2005
Paige, Ian, “Let’s Fight”, The Portland Phoenix, Oct 21 – 27, 2005, ill.
Peters, Sue, "Culture Crash", Seattle Weekly, Dec. 14, 2005
Sarlin, Eric, "World's Largest Wargame Table", White Dwarf Magazine, #322, p. 18, Nov. 2006, ill.
Camper, Fred, “Timothy Hutchings...” Chicago Reader, January 30th, 2004
Chicago Reader, January 16, 2004 ill.
Green, Ian, “Loop, Videophilia”, Art Fairs International, 2004
Levin, Kim. “Voice Choices,” The Village Voice, November 10-16, 2004
Zoltak, Benjamin, “New Work from Don Doe and Timothy Hutchings,” Red Streak, February 12, 2004
Dancing in the Dark, Part I, Aljira Center for Contemporary Art, Newark 2003 cat.
Levin, Kim, “Voice Choices,” the Village Voice, May 14-20, 2003
Sasaki, Mina, Review, Vis a Vision Television, Tokyo, Japan, July 2003
Walden, Robert, "Aljira's New Gallery Emerges as a Fine Display Space", The Star-Ledger, Newark, New Jersey, June 1, 2003
Wilson, Michael “Timothy Hutchings,” Artforum, October, 2003, ill.
Wimmer, Elga, Faux Real, catalogue, 2003, ill.
“Timothy Hutchings at I-20 Gallery,” www.artnet.com, May 16, 2003
Beccaria, Marcella, “The Arsenal at Danzig and Other Views,” ARCO Magazine, April 2002, ill.
Cotter, Holland, “Hash Brown Potatoes” New York Times, July 12, 2002
Cowan, Liz, "Is it live, or is it...?", The Pitt News, Dec 20, 2002
Fink, Courtney. “Sneaking Time”, http://www.stretcher.org February 2002
Hackett, Regina, “Artists Play With Images to Close the Gap Between Life and Art,” Seattle Post-Intelligencer, July 4, 2002
Hoffman, Leslie. “Skewed Perspectives", Pittsburgh Pulp, November 11, 2002 Videodrome II, catalogue, New Museum of Contemporary Art, New York. 2002
Gioni, Massimiliano. “New York Cut Up: Art Fragments from the Big Apple,” Flash Art, January-Feb 2002, 61-64
Mooney, Chris. “Lost Buildings and Renewed Vision. A Mediation on Destruction in Video, Sculpture and Music,” NY Arts (February 2002): 65;
Spalding, David. La Perruqueí at the office/gallery,” Artweek, December/January 2001, 15-16
Thomas, Mary. “Art Review: Artists make their own reality in digital realism,” Pittsburgh Post-Gazette, December 07, 2002
Urban, Regina. “New York im untergrund,” Nurnburger Nachrichten, April 11, 2002
Wimmer, Elga. “Sahte/GerÁek,” Arkitera, October 2002
Fels, Sophie. “New York Critics Picks: Timothy Hutchings,” www.Artforum.com, December 2001
Fink, Cortney. “Sneaking Time.” Review of “La perruque (the wig),” Stretcher Magazine, San Francisco Giulano, Charles.
"Timothy Hutchings", Maverick Arts Magazine, Nov 2001
Giuliano, Charles. “The Pulse,” NY Arts, December 2001
Johnson, Ken. “Art Guide: Timothy Hutchings,” New York Times, November 30, 2001
Levin, Kim. “Voice Choices,” The Village Voice, November 27, 2001
Levin, Kim. “Voice Choices: Artists Haunted by History,” The Village Voice, November 27, 2001
Greater New York, catalogue, P.S.1/MoMA Contemporary Art Center
Henry, Max. “At the Galleries: Keep Fit Be Happy,” Flash Art, October, 57 (ill.)
“Keep Fit Be Happy,” New York Contemporary Art Report (July 1999) (ill.)
Spalding, David. ‘La Perruque’ at the office/gallery,” Artweek (December, 2001 – January, 2001): 15-16 Rockwell, S.
“Headstand,” dArt International (Fall 1998) (ill.)
Adamson, Glenn. “Timothy Hutchings,” NYArts (March 1998): 32 (ill.)
Adamson, Glenn. Headstand, Elga Wimmer Gallery, 1998 catalogue
Smith, Roberta. “Headstand,” The New Yorker, August 24-31, 1998
Smith, Roberta. Review: “Headstand,” New York Times, August 4, 1998
Aigner, Claudia von. “Gulliver Complex and Mr. Sandman,” Wiener Zeitung, June 6, 1998 Vienna, Austria
Bronner, Oscar. “Von Endorophinen, Salzgurken, und Stromstossen,” Der Standard, June 5, 1998 Vienna, Austria
Hofleitner, Johnna von. “Krinzinger Dissiní the Real", Die Presse, June 5, 1998 Vienna, Austria
Saustep, K. “Minimalsport mit Erwin Wurm und vieles mehr,” Kurrier, June 6, 1998 Vienna, Austria
Heiss, Alana. “Greater New York,” NYArts March 1998